The A.K.A.’s (Are Everywhere!) are one of those bands that simply
can’t be ignored. Even if the world did ignore The A.K.A.’s they
would press forward and continue to do what they do. After talking
with the band’s frontman Mike Ski, it’s obvious that his passion is
undying and in Ski’s words, “The nature of our band is to never be
content and it’s a reaction to everything until everyone is cool.”
After having to reschedule our original interview due to Ski having
a hell of a bout with the flu, we were finally able to connect with
him, despite him still battling whatever bug he had. Ski phoned in
from a very cold Philadelphia tour stop, where his band was playing
alongside The Vincent Black Shadow, Wednesday 13 and Creature
Feature. “It’s the kind of sick where all you can do is sleep and
feel like shit,” Ski explains. “I’m trying to sweat it out by
playing ridiculously hard.”
Despite illness The A.K.A.’s, rounded out by guitarist Chris Bazan,
keyboard player Josie Outlaw, bassist Justin Perry and drummer
Chachi Darin, have taken their unique blend of pop, old-school
Clash-inspired punk rock and even a splash of surf rock to the road
with a zeal driven by the band’s forthcoming release of Everybody
Make Some Noise! The follow up to White Doves & Smoking Guns
is sure to garner new fans and surprise their diehards with an
eclectic blend of everything that makes The A.K.A.’s who they are.
Ski explains touring as, “An ongoing social experiment.” “We tour
with bands that surprise people,” he explains. And while some of
these bands may sound nothing like The A.K.A.’s that the whole
point. “These eclectic bands can find something about our band that
they believe makes sense, “he says. “We can play with Hawthorne
Heights or Big D and The Kids Table,” Ski continues. “It might not
always make sense [to others], but it makes sense to them.”
“It would be easier to get on tours if we played the same heartless
pop music as everyone,” says Ski. He notes that The A.K.A.’s
purposefully tour with bands that cross the genre spectrum. Ski
says that even a tour (while not planned) with Fall Out Boy would be
great for his band. “You play with Fall Out Boy and that’s a huge
opportunity for someone 15 years from now to have someone say, ‘I
heard that band and they opened me up to this,’” he
explains. So really, it’s about opening people’s minds to a new
kind of music that they may have not otherwise been exposed to. “I
look at that and say, ‘Where would I be without that,’” Ski says.
Ski notes that the challenge is writing lyrics and music that are
both inspirational and socially aware, but not lame or boring. “I
want to be notable, even if it’s only notable to myself,” says Ski.
The A.K.A.’s musical ethos hasn’t changed since the band’s inception
either. Ski says that when the band started, each of the members
were at a point where they would have rather listened to what they
bought when they were 15 years old. “We like to combine that with
something modern and contemporary that doesn’t sound cheesy,” says
Ski. Listeners can hear distinct influences of bands like The
Clash, MC5 and even the B-52’s. “It’s a weird band for us to be
compared to,” notes Ski, but it’s not unfounded since the band was
also into old surf, garage rock.
So
enter the new chapter of The A.K.A.’s; Everybody Make Some Noise!
It’s a record full of layered keyboard harmonies, guitar crunches
and Ski’s often gritty vocal barks. As soon as you think it may be
a little too grainy, the band do a stellar job of hooking the
listener in with the right amount of “pop.” “Musically, we outdid
ourselves with the record,” says Ski. “We’re all really proud of
it.” And that’s not to come across as conceded. “It’s a
rollercoaster ride from song to song,” he continues. The band
tinkered with all sorts of different instrumentation on Everybody
including a Farfisa synthesizer, piano, modern organ and different
guitar tones. “I feel what we did was really daring,” explains
Ski. “It’s an element of fearlessness.”
Essentially, the band is trying to ensure that listening to them
live or listening to them on the record is seamless. “We knew the
strength of our band was the live show and it’s difficult to capture
that when the recording process is so digitized,” says Ski. Even
the drum tracks were recorded as a full band and it took three
14-hour days to get it to a point where the band liked it. “Our
drummer didn’t like when it sounded too perfect,” notes Ski.
The final product of Everybody Make Some Noise! is really a
testament to everything the band holds true, from the lyrics to the
layers to the surprising guest appearances. Ski says that the band
entered the studio without having any plans. “We’ll just go in and
make the fucking record,” says Ski of the band’s mentality.
The guest appearances on Everybody include Anti-Flag’s Chris
#2, JT Woodruff of Hawthorne Heights on “Dead Flowers Forever” and
Dead Kennedy’s legendary frontman Jello Biafra providing his unique
voice on “Everything Is a Commercial.” Ski is quick to mention that
The A.K.A.’s didn’t necessarily search for these names to appear on
the record, it just sort of happened. “Those things came about
organically and it feels right,” Ski says. “Everybody brought
something individual to the song and [took] it to another place.”
Having Chris #2 from Anti-Flag was a perfect fit for The A.K.A.’s
because as Ski explains, Anti-Flag was the first band to really
acknowledge The A.K.A.’s as a socio-political band. “We love them,”
says Ski. “#2 from Anti-Flag has his signature bark / snarl that is
really intense and compliments what I did.”
In
regard to having Woodruff of Hawthorne Heights on the new record,
one can understand the respect Ski has for that band. “Those guys
are awesome dudes,” he notes. He continues to say that The A.K.A.’s
and Hawthorne Heights have a relationship that goes beyond
“genres.” Having Woodruff on “Dead Flowers Forever” is probably
what allowed the song to make it onto the record. “I demoed the
song a while ago,” explains Ski. “And when we went into the studio
it became a struggle to me.” After hearing that Woodruff was
interested in working with the band, Ski knew exactly where he would
fit best. “It could be an interesting opportunity to really make
that song good,” Ski thought. When it was all said and done, it
worked perfectly.
“The Jello [Biafra] thing was fantasy,” Ski says. “We all love the
Dead Kennedys.” The band’s producer (Alex Newport) had brought it
up and luckily their mixer had previously worked with Biafra. “He
literally did it at the last hour and we felt like it was meant to
be,” says Ski with excitement. “Having the three of them is so
confusing and doesn’t make any sense and I think it’s totally cool,”
boasts Ski.
Even the album’s title has an interesting story behind it.
According to Ski, the band was at a point where they were actually
at home and not touring. “Being at home is weird,” says Ski. So
the band had an idea to marry an art show with a live show. Ski
says that he gathered 25 artists from all over the country to focus
on a real topic or a fictional topic inspired by protest. The final
product would then be displayed on a picket sign during the art
show. A total of three shows were held, dubbed as the “Everybody
Make Some Noise Protest Art Show.” The A.K.A.’s performed with one
other band, and then partied with a gallery-like environment and
D.J.’s. “It was way better than the same old show,” says Ski. He
then decided that he wanted to take the “Everybody Make Some Noise”
name and continue it and that is how the album’s title was derived.
Now armed with an extremely poignant record, The A.K.A.’s will hit
the ground running. An intense tour schedule awaits the band
including a good chunk of Warped Tour and other shows planned
through the fall. Ski notes that he would love to have an
international presence with the new record and after hearing the
final product, it doesn’t seem too far fetched. “We want to
continue doing what we’re doing,” says Ski. “We don’t have a goal
to sell one million records although that would be awesome.” The
band will strive to stay on the road, make new friends and allow the
world to hear their message. “Honest art is a reaction to what is
going on,” says Ski. “We’re being that band that’s not afraid to
say what others are afraid to say.”
By: Adam K.
Zakroczymski III - Senior Editor / Founder
Photos: Brandon
Vincent
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